Skin Bar is both a poetic and political act: a simple gesture that transforms the body into a place of care and relationship.

Skin Bar is a relational performance that explores the body as a surface of care, vulnerability and reclamation.
The artist exposes herself in a state of essential presence, offering her body as a symbolic space for writing. The audience is invited to leave words directly on her skin, with one single rule: only messages of love can be written.

This rule establishes a clear and protected boundary. The device creates a temporary zone in which the body becomes a place of kindness and listening, in contrast to a social context often marked by tension and violence, particularly towards the female body. The performance therefore becomes an act of reclamation and transformation: vulnerability is not endured, but consciously chosen and guided.
The dramaturgy emerges through encounter. There is no predetermined choreography: time is built through the approach of people, hesitation, care, eye contact and writing.

The artist maintains an attentive and open presence, allowing the situation to evolve organically. At certain moments, she may respond through delicate gestures, write on the bodies of others, whisper words or activate minimal physical exchanges, creating temporary and intimate micro-relations.

Skin Bar works on the tension between exposure and protection, fragility and power, individuality and relationship. The body becomes a shared space, crossed by words and traces that build a collective and unrepeatable narration.
The performance privileges slowness, silence and presence, allowing the dramaturgy to emerge spontaneously through the encounter with others. Each activation is unique and depends on the context and the people involved.

The performance also activates a dimension of trust between strangers. Much like temporary encounters taking place in spaces of transition, Skin Bar creates a situation in which unknown people approach one another and share an intimate and delicate gesture. Writing a word of love on the body of someone you do not know becomes a powerful act of openness and mutual responsibility. The dramaturgy is therefore built through micro-encounters, ephemeral relationships and moments of unexpected connection.