JULIE, NEUROROMANTICA
2019—2020

Julie, Neuroromantica, Photo: Gianmarco Gaviani, Spazio Fattoria, Fabbrica del vapore, Milan, 2019
Julie,Neuroromantic, starting with Miss Julie by August Strindberg, and using the power dynamics (class and gender) that are established between the characters within the text, the performance investigates the device as a heterogeneous whole, including virtually anything linguistic and non-linguistic, establishes among all the elements, as a code, always has a concrete strategic function that is enrolled in a relationship of strength.
From poetics to neuropoietics, from human to posthuman, from passive spectator to the spectator emancipated of Jacques Rancière, from the center to the margins, JULIE rethinks the language to put it in crisis. the actions of the three performers are interconnected and always in reaction, do not give without external and concrete stimuli. as well as the bodies of the performers, all bodies on stage are to be considered thinking matter and generative.
The residue of the work is installable and pass through, a habitat that can be visited and approached from all.

Julie, Neuroromantica, Still video by Gianmarco Gaviani, Aiep, Ariella Vidach, Fabbrica del vapore, milan, 2021

Julie, Neuroromantica, Still video by Gianmarco Gaviani, Aiep, Ariella Vidach, Fabbrica del vapore, milan, 2021
JULIE, NEUROROMANTICA
2019—2020

Julie, Neuroromantica, Photo: Gianmarco Gaviani, Spazio Fattoria, Fabbrica del vapore, Milan, 2019
Julie,Neuroromantic, starting with Miss Julie by August Strindberg, and using the power dynamics (class and gender) that are established between the characters within the text, the performance investigates the device as a heterogeneous whole, including virtually anything linguistic and non-linguistic, establishes among all the elements, as a code, always has a concrete strategic function that is enrolled in a relationship of strength.
From poetics to neuropoietics, from human to posthuman, from passive spectator to the spectator emancipated of Jacques Rancière, from the center to the margins, JULIE rethinks the language to put it in crisis. the actions of the three performers are interconnected and always in reaction, do not give without external and concrete stimuli. as well as the bodies of the performers, all bodies on stage are to be considered thinking matter and generative.
The residue of the work is installable and pass through, a habitat that can be visited and approached from all.

Julie, Neuroromantica, Still video by Gianmarco Gaviani, Aiep, Ariella Vidach, Fabbrica del vapore, milan, 2021

Julie, Neuroromantica, Still video by Gianmarco Gaviani, Aiep, Ariella Vidach, Fabbrica del vapore, milan, 2021